J. A. WAINWRIGHT ...
Canadian
writer & author
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J.A. Wainwright was born in
Toronto, Canada. Since 1972 he has lived in Halifax, Nova
Scotia where he is McCulloch Emeritus Professor in English at
Dalhousie University. His areas of specialization are contemporary and Canadian literature and popular culture,
including a class on Bob Dylan and literature of the 1960s.
His first novel, A Deathful Ridge: a Novel of Everest,
was shortlisted for the Boardman-Tasker Prize in Mountain
Literature in 1997, and his biography of painter Robert Markle,
Blazing Figures, was shortlisted for the ForeWord
Magazine Literary Prize in the U.S. in 2010. He has given
readings from his fiction and poetry collections in Canada,
the USA and Europe.
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The
GRACE of our AFFECTIONS Published
2018 CUSTOM CLASSIC imprint |
RRP*
US$17.95 /GBP17.95 /EURO15.95 /AU$24.95 /NZ$25.95
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The Grace of Our Affections
A writer ponders a photograph
taken in a Yorkshire garden in the early 1890s of his
maternal great-grandparents and their seven children. His
mother gave it to him when he was a boy and told him his
ancestors’ names. Since those seven had only four offspring
and so much time has passed, he realizes he is likely the
last person alive who can identify those in the picture.
The few extant records show the
family patriarch was a Methodist minister and that his
eldest son followed in his footsteps. Another son became the
writer’s grandfather whose troubled relationship with his
daughter failed to erase her fidelity to the collective
past.
Faced with a sense of
obligation to his mother and scant historical evidence, the
writer attempts to meet his vanished relations the only way
he knows how – by writing them down. Who were his
great-grandparents, Thomas and Elizabeth, and great-uncles
and great-aunt – Ernest, Bertram, Horace, Arthur, Norman,
and Letitia – as well as his grandfather Clement. What might
have been the personal stories of consequence they did not
visibly leave behind?
In order for those
stories to emerge, he invents distinct ancestral voices and
has his family members react to a shared set of
circumstances in a single setting – the Orkney Islands –
where they dramatically break free of old gender, class, and
sexual restrictions. Because of his great-grandfather’s
profession and convictions, and the children’s interrogation
of religious certainties, there are unavoidable collisions
in this new world between Methodist faith and secular
belief, and between generations.
Accompanying the nine
Orkney tales are vital sections of the novel titled ‘The
Frame’ in which the writer questions the results of his
creative efforts and the price of such invention. Haunting
ancestral lives, and haunted by them, he is forced to
confront what it means to try to raise the dead with words
and live on through their imagined resurrection.
GOODREADS REVIEW
The Grace of Our
Affections is both an intrepid
exploration of one family’s history and a purely speculative
re-imagining of how that history might have played out….The
resulting novel is a triumph of the imagination. In supple,
nuanced prose that brilliantly evokes the tonalities of
Victorian speech and thought, J.A. Wainwright writes
convincingly from multiple perspectives and fleshes out the
Larsen family’s story with a vividly rendered locale in the
Orkney Islands, abundant period detail, and a great many
engaging secondary characters and gripping dramatic
situations. The story as envisioned by the author from a
single photograph and a few official documents, is dramatic,
poignant and packed with action and suspense.
Ian Colford
Goodreads

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Published:
July 2018
ISBN 978 1533988710
PRINT
Format:153 x 229 mm
US Trade Paperback
Extant 210pp
PRINT & eBOOK All Formats
In Limited Release
OCTOBER 2018
COMMERCIAL FICTION
RIGHTS AVAILABLE

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The
LAST ARTIST Published
2016 CUSTOM BOOKS CLASSIC imprint |
RRP*
US$15.95 /GBP12.95 /EURO13.95 /AU$22.95 /NZ$23.95 |
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Confronted by his own mortality and that of his paintings,
artist Ben Sand reproduces several modern masterpieces on the
walls of an isolated French cave so they will last for 20,000
years.His efforts are mirrored by those of a Paleolithic girl,
An, who, in her own cave, reveals through stroke and colour
the physical violence and spiritual depths of her pre-historic
environment.
An’s visions and techniques are directly described, while
the essence of Sand’s endeavours is found in compelling
stories that emerge from landscape and human presence within
paintings by Bruegel, Goya, Monet, and others.
The result is enduring images of visual brilliance framed
by lived experience that has its own place and longevity in
time.
The LAST ARTIST
REVIEWS I
am not sure what impressed me the most — the ability to
conjure up worlds and beautiful stories for each painting, the
profound understanding of art and its relationship to who we
are, the writing sentence by sentence….and, of course, the
epic linkages in plot and their poetic integration over
epochs. What you accomplished with An’s story in and of
itself is stupendous. So very tactile, that story: you feel
every brush stroke between the threats and revelations in her
short life. Truly amazing. Ben’s story and the spiritual
triangle with his friends, wonderful. And, of course, ending
the novel with a young girl…given how it began, with the
death of Ben’s daughter.
Canadian writer, Larry Gaudet
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Published:
July 2016
ISBN 978 1533988710
PRINT
Format:153 x 229 mm
US Trade Paperback
Extant 210pp
PRINT & eBOOK All Formats
In Limited Release
OCTOBER 2016
COMMERCIAL FICTION
RIGHTS AVAILABLE

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